For an alphabetical list of all songs in the database, click here.
This short Swahili Praise Song is well known in many Eastern and Central African countries, though many sources trace its origin to Democratic Republic of Congo. The song was transcribed and harmonized by John Bell and appears in many hymnals and songbooks.
While it might be easy for people of privilege to hear this song as a joyful affirmation, its energy shifts when placed back in the context of a country like Democratic Republic of Congo, which has endured painful legacies of civil war and colonization. What does it mean for a community to say "God is good" in the midst of challenging and even life-threatening circumstances, not just when it is easy or convenient?
It can be sung in several languages and additional verses can be improvised or added for the context, a common practice in Praise Songs from an African context.
Mungu ni mwema.
Know that God is good.
C'est vrai: Dieu est bon!
This sturdy tune by singer/songwriter Charles Murphy is a wonderful zipper/pocket song. Charles often asks a group he is leading, "What needs to walk with us today?" and welcomes their responses into the song. It is wonderful for gathering and sending, and could be used as a prayer for individual/group discernment and pilgrimage.
"Love take a walk with me,
and Spirit guide me feet."
Charles is happy to have groups use the song but asks that you reach out and request permission first.
Our Mother/Father in Heaven is a creative adaptation of a song from Southern Africa, first shared at an MMC Holy Week Retreat at St. Lydia's in Brooklyn. Taught through call and echo, the piece invites improvisation and imagination in our language for Divine.
"Our Mother in heaven,
give us your love
We are knocking at your door
for love, for love and peace."
Who Will Set Us Free? is a powerful song of lament and longing written by Father Bernardo Maria Perez and Philippine composer Francisco Feliciano. It is based around a five-note (pentatonic) melody and can be sung unaccompanied or with a drone instrument (like a shruti box).
The song can be taught without printed text or music using call and echo. Leadership can be offered by a cantor or by a group of voices taking the lead, creating a powerful dialogue and reinforcing the spacious, reflective quality of the music. The song could be useful in Advent, Lent, or times of communal grief and challenge.
"Who will set us free? (Who will set us free?)
We're waiting (We're waiting)
We're waiting for you (We're waiting for you)
You said you'd be coming (You said you'd be coming)
Don't let our hope be futile (Don't let our hope be futile)"
Who will clear our sight?
Who will be our light?
Who will give us life?
He/Christ Came Down is a joyous melody from Cameroon transcribed by John Bell of the Iona Community. It appears in several hymnals and songbooks.
Several leaders in our community invite movement and embodiment while sharing this song, often with an arm gesture beckoning Christ to come down. The words can also be coordinated with each Sunday of Advent (i.e. hope, peace, joy, love, light), making this an excellent seasonal offering.
"*He came down that we might have love.
*Some leaders change the text to ‘Christ came down…’ More Voices of the United Church of Canada translates the text as ‘Jesus Came Bringing Us Hope.’
This song from The Native American Church Movement awakens a powerful sense of openness and thanksgiving. It is inspired by the Native American ritual of greeting the morning sun—a time for acknowledging the daily renewal of creation and connecting with God, The Great Spirit.
Additional verses can be added, with an invitation for the community to add their intentions in the moment.
"Thank you for this day, *God,
thank you for this day.
This healing, this healing, this healing day.
Thank you for this world...
Thank you for these friends…
Thank you for this life…"
*Several leaders in the MMC community sing 'Thank you for this day, Spirit...'
This beautiful chant by New Thought song leader and composer Erin McGaughan was arranged as a call and echo song by Chanda Rule and has been shared at many MMC workshops over the years. Chanda added several new verses to the original song and there is a modulation between each. Here is a link to the original song for comparison.
"I am here in the heart of God,
God is here in the heart of me.
Like the wave in the water and the water in the wave,
I am here in the heart of God.
I am here in the breath of God,
God is here in the heart of me.
Like the wind in the springtime and the springtime in the wind,
I am here in the breath of God.
I am here in the soul of God,
God is here in the soul of me.
Like the flame in the fire and the fire in the flame.
I am here in the soul of God.
I am here in the mind of God,
God is here in the mind of me.
Like the earth in my body and my body in the earth,
I am here in the soul of God."
This passionate prayer for peace is attributed to a Palestinian source in several Global Song collections.
While the pronunciation of Arabic can differ from country to country, here is a recording of the song in the original language to guide you.
A translation of the text is:
Yarabba ssalami amter alayna ssalam,
Yarabba ssalami im la’ qulubana ssalam.
God of Peace, rain peace upon us,
fill our hearts with peace.
While We Are Waiting, Come is a beautiful melody by Claire Cloninger and Don Cason that can be taught through echo patterns. It makes an effective Prayer Song or response during the Advent season.
"While we are waiting, come.
While we are waiting, come.
Jesus our Lord, Emmanuel,
While we are waiting, come."
Once the assembly has learned the song well, you can add harmony parts or keyboard accompaniment.
Come to the Table of Grace is a short song by Barbara Hamm, the Minister of Music at Community Congregational Church UCC in Benicia, CA. It could be offered as an Invitation to the Table or during the distribution of communion elements.
Try lining out the melody one phrase at a time, inviting the community to echo until they're confident. It's also a zipper/pocket song that welcomes the substitution of words for the context/season. We have included a few possibilities below.
"Come to the table of grace.
Come to the table of grace.
This is God's table it's not yours or mine.
Come to the table of grace."
Come to the table of peace...
Come to the table of joy...
Come to the table of hope...
Spirit, Still My Body was written by Charles Murphy, a singer, songwriter, and church musician in the Chicago area. It was shared at our Pentecost weekend in Western Chicago in June 2017. Enjoy this soulful song and give thanks for Spirit's calming, centering presence in these challenging days.
"Spirit, still my body. Spirit, wake my soul.
I can't tame tomorrow, Now need be my goal.
Spirit, still my body. Spirit, wake my soul.
Steep me in the present, The rest God will control.'