This South African Song in Xhosa is roughly translated “Go with us, our Savior” and comes from the repertoire of anti-Apartheid Freedom Songs written in the 1970's and 80's. It was shared with the MMC community by Paul Vasile, who learned it from Pamela Warrick Smith. In the spirit of music from many African contexts, the song invites opportunities for improvisation and adding actions/themes specific to the community's needs or experiences.
We have seen leaders share it as zipper/pocket song (i.e. Go with us, Lord, and give us your love/joy/peace) or deepen its communal spirit by crafting new verses (i.e. Come walk with us and share in our bread/...and join in the song). It makes a powerful sending song.
"Hamba nathi Mkhululi wethu"
There are several poetic translations of the song into English, not all faithful to the original Xhosa:
1. You Are Holy, You Show Us the Way
2. God With Us, Lord, and Set Us All Free
3. Come Walk With Us, the Journey Is Long (Anders Nyberg)
Teaching note from Paul Vasile: When you lead Hamba nathi, make sure that you keep a steady beat so the group feels the syncopated rhythm of the tune. I teach the tune first and once that's set offer the bass line. If folks don't intuitively add harmony (almost every group I've taught this to has), outline parts.
Here is sheet music for an SATB setting in Xhosa.
Here is a recording of the song by the Drakensberg Boy's Choir in South Africa.
Whoever Eats This Bread is by composer and consultant Eric Law of the Kaleidoscope Institute. It is an excellent example of a notated composition found in a hymnal that can be easily adapted for paperless singing.
Commonly used during the Distribution of Elements within a eucharistic liturgy (the time when the bread and wine are shared), the antiphon/antiphon can be taught through call and echo patterns. Once confident, it can be sung as a three-part canon; secondary canons can also be added on the verses.
The piece can be sung a cappella or accompanied by an ostinato chord progression played by a keyboard instrument or guitar.
Whoever eats this bread will live for ever.
1. This is the true bread
which comes down from heaven
and gives life to the world. Antiphon
2. Whoever believes in me
shall not hunger or thirst,
for the bread which I give
for the life of the world is my flesh. Antiphon
Copyright for the piece is held by Church Publishing, Inc. If you don't have copies of The Episcopal Hymnal or Wonder, Love, and Praise in your community, you'll need a OneLicense membership to print the text or music.
Sheet music can be found in The Episcopal Hymnal #S170, as well as in the supplemental hymnal Wonder, Love, and Praise. It is also available for purchase here.
Here is a recording of Eric Law teaching the piece at our Music that Makes Community workshop in Los Angeles in October 2008.
Kerri Meyer wrote There Is Enough at a Music that Makes Community workshop and it became an instant hit! The melody was adapted from a Peter Mayer refrain and she also composed a descant to sing over the tune.
The song is easy to teach through call and echo. Simple hand gestures can help reinforce the subtle differences between the phrases, especially the first and third. And harmony is so intuitive it may show up before you invite folks to add it.
We've seen the piece shared in so many settings - from church suppers and stewardship campaigns to a protest in the office of a United States senator.
"There is enough!
There is enough!
There is enough, oh,
Enough and some to share!"
"God has blessed her people, God has blessed us!"
The Rev. Breen Sipes of Tri-Saints Lutheran Parish in rural Nebraska shared additional verses she's used with young people in her community:
"I am enough..."
"You are enough..."
"God has enough..."
Kerri has given faith communities permission to sing and share the song without copyright restrictions.
Sheet music can be found here.
Hear an audio clip of Kerri leading this song at our 2014 Musical Test Kitchen in San Francisco.
And here's a video of AnnaMarie Hoos leading this song at our Winter Retreat at The Bishop's Ranch in 2015.
Sylvia Miller-Mutia created Come to the Feast at a Music that Makes Community gathering in January 2015. While created as a song for people to sing in procession to the table for communion, it is easily adapted to serve as an invitation or transition into any part of the liturgy.
"Come to the feast!
Come, one and all. Come to the feast."
Come, hear the Word...
Come, pray with us...
Go now in peace...
Here's a video of Sylvia leading her song at The Bishop's Ranch in Healdsburg, CA:
Tar a thighearna is a beautiful Gaelic chant by singer and composer Ruth Cunningham. Translated "Come, Lord, come thou Being," the piece is a powerful invocation and useful for centering/gathering, prayers, and times when a gentle, focused energy is needed.
The text and the melody can be learned through call and echo. Take your time and repeat passages that need extra care, especially those with ornamentation. Invite improvised harmony when the community is ready.
Tar a thighearna.
Pronunciation: tahr ah hear-nah, tahr-ah-hee
Come, Lord, come thou Being.
Ruth has given faith communities permission to sing and share the song without copyright restrictions.
Sheet music can be found in Singing In Community, our latest songbook published by Augsburg Fortress. It also appeared in Music By Heart, MMC's first collection of paperless music.
Ruth and Ana Hernández recorded the song on Blessed By Light. Here's a link to a recording of Emily Scott teaching the song, then offering suggestions for how to lead it without paper.
Watch Rachel Kroh lead Tar a thighearna at Union Seminary in September 2015:
This is a gorgeous setting of an Orthodox funeral liturgy, written by Daniel Schwandt at our MMC Composers' Gathering in Brattleboro, VT in 2013.
Here's an audio recording of Dan teaching the song in Vermont right after he wrote it.
Here's the sheet music for this song.
Here's a work of art inspired by this song by Rachel Kroh.