Written by John Bell as part of the St. Bride setting, this paperless response incorporates call and echo learning to encourage community participation. The melody rises and falls gently, inviting a quiet, focused energy. When learned well, the piece can be sung as a canon in as many as four parts (with groups entering each measure).
It could sung a cappella or accompanied by a drone instrument (a shruti box or a soft unison or open fifth on the organ) to support the community's voice.
"Lamb of God you take away the sin of the world,
have mercy on us.
Lamb of God you take away the sin of the world,
have mercy on us.
Lamb of God you take away the sin of the world,
grant us your peace."
Teaching note from Paul Vasile: Practice the response before worship and encourage the community to trust your gestures, even if they seem to be too soon. The overlapping parts generate energy and the confidence of the community will grow in time.
Copyright for the piece is held by GIA Publications, Inc. so you'll need a OneLicense membership to print the text or music.
Sheet music can be found in Singing In Community, our latest songbook published by Augsburg Fortress. The setting is also published in Come All You People, Singing the Faith, and the Iona Abbey Music Book.
This call and echo Sanctus was composed for the Iona Community in Scotland. It can be sung unaccompanied or with a drone instrument (like a shruti box).
The echo comes quite quickly and there is slightly overlap between the leader and the assembly, so be ready to cue them with a clear, inviting gesture.
"Holy, holy,
Holy Lord of pow'r and might.
Heaven, earth,
Heaven and earth are full of your glory.
All glory to your name.
Blessed, blessed,
Is he who comes in the name of the Lord.
Blessed, blessed,
Is he who comes in the name of the Lord.
Hosanna in the highest!"
Copyright for the piece is held by GIA Publications, Inc. so you'll need a OneLicense membership to print the text or music.
You can find more information and purchase sheet music on Hymnary. The piece is also published in The Faith We Sing.
We Are Coming, Lord, to the Table is joyous communion song from Sierra Leone transcribed by Greg Scheer, a composer, author, and speaker with roots in the Reformed Church. It was carried to MMC by Paul Vasile, who learned it at a Calvin Institute of Worship symposium at the Chandler School of Theology in Atlanta, GA.
Because each section of the song repeats, it's easiest to teach the community through call and echo. In the second section, the word changes from "bread" to "wine" on the repeat, so it can be helpful to call it out a few beats ahead. Once learned, harmony can be invited. Drums and other rhythm instruments can also be added, but be sure they support the group's learning.
"We are coming, Lord to the table.
(We are coming, Lord to the table)
With the gift of bread we are coming, Lord.
(With the gift of wine we are coming, Lord.)
Oh, we are coming, Lord.
(Oh, we are coming, Lord.)
We are coming, Lord to the table.
(We are coming, Lord to the table)
To receive the bread, we are coming, Lord.
To receive the wine, we are coming, Lord.
Oh, we are coming, Lord.
(Oh, we are coming, Lord.)"
Copyright for the song is held by Greg Scheer. A CCLI license is required to print or project the music or lyrics.
Find sheet music in the collection Global Songs for Worship published by the Calvin Institute of Christian Worship and Faith Alive Christian Resources.
Here's a short audio recording as well as a video of a group singing the piece with keyboard, drumming, and shakers.
This South African traditional song from the singing of the Mooiplaas congregation was transcribed and arranged by John Bell of the Iona Community.
To lead it, sing through it once or twice, perhaps reinforcing the shape of the melody with your hand. It's easy enough that folks will start singing with you quickly. Encourage harmony and add the leader part once the group is confident.
Swahili:
"Woza nomthwalo wakho,
Woza nomthwalo wakho,
Woza nomthwalo wakho,
Uyes’akasozathi hayi.
English singing translation:
"Come, bring your burdens to God,
come, bring your burdens to God,
Come, bring your burdens to God
for Jesus will never say no."
Copyright for the piece is held by GIA Publications, Inc. so you'll need a OneLicense membership to print the text or music.
Find sheet music for the song here. It can also be found in We Walk His Way.
Here's a recording of the song from The Iona Community:
Whoever Eats This Bread is by composer and consultant Eric Law of the Kaleidoscope Institute. It is an excellent example of a notated composition found in a hymnal that can be easily adapted for paperless singing.
Commonly used during the Distribution of Elements within a eucharistic liturgy (the time when the bread and wine are shared), the antiphon/antiphon can be taught through call and echo patterns. Once confident, it can be sung as a three-part canon; secondary canons can also be added on the verses.
The piece can be sung a cappella or accompanied by an ostinato chord progression played by a keyboard instrument or guitar.
Antiphon:
Whoever eats this bread will live for ever.
1. This is the true bread
which comes down from heaven
and gives life to the world. Antiphon
2. Whoever believes in me
shall not hunger or thirst,
for the bread which I give
for the life of the world is my flesh. Antiphon
Copyright for the piece is held by Church Publishing, Inc. If you don't have copies of The Episcopal Hymnal or Wonder, Love, and Praise in your community, you'll need a OneLicense membership to print the text or music.
Sheet music can be found in The Episcopal Hymnal #S170, as well as in the supplemental hymnal Wonder, Love, and Praise. It is also available for purchase here.
Here is a recording of Eric Law teaching the piece at our Music that Makes Community workshop in Los Angeles in October 2008.
Kerri Meyer wrote There Is Enough at a Music that Makes Community workshop and it became an instant hit! The melody was adapted from a Peter Mayer refrain and she also composed a descant to sing over the tune.
The song is easy to teach through call and echo. Simple hand gestures can help reinforce the subtle differences between the phrases, especially the first and third. And harmony is so intuitive it may show up before you invite folks to add it.
We've seen the piece shared in so many settings - from church suppers and stewardship campaigns to a protest in the office of a United States senator.
"There is enough!
There is enough!
There is enough, oh,
Enough and some to share!"
Descant:
"God has blessed her people, God has blessed us!"
The Rev. Breen Sipes of Tri-Saints Lutheran Parish in rural Nebraska shared additional verses she's used with young people in her community:
"I am enough..."
"You are enough..."
"God has enough..."
Kerri has given faith communities permission to sing and share the song without copyright restrictions.
Sheet music can be found here.
Hear an audio clip of Kerri leading this song at our 2014 Musical Test Kitchen in San Francisco.
And here's a video of AnnaMarie Hoos leading this song at our Winter Retreat at The Bishop's Ranch in 2015.
Sylvia Miller-Mutia created Come to the Feast at a Music that Makes Community gathering in January 2015. While created as a song for people to sing in procession to the table for communion, it is easily adapted to serve as an invitation or transition into any part of the liturgy.
"Come to the feast!
Come, one and all. Come to the feast."
Alternative texts:
Come, hear the Word...
Come, pray with us...
Go now in peace...
Here's a video of Sylvia leading her song at The Bishop's Ranch in Healdsburg, CA:
This song is originally from Ghana, and the version we've sung at many MMC events is from a setting by Marty Haugen and Marc Anderson. You can find the sheet music and a recording of the song at GIA Music.
To the Bath and the Table is a three-part canon composed by Mark Howe, the Director of Music and Canon Precentor of St. Paul’s Cathedral in Burlington, VT. It's a quotation shared by liturgical scholar Gordon Lathrop and a powerful invitation into central symbols and ritual actions of the Christian faith.
The piece can be lined out in two chunks, using call and echo to reinforce the melody and text. When the community's singing is confident, you can divide them into parts and invite a canon.
Mark also composed a cantor part using Sylvia Dunstan's hymn text, Crashing Waters at Creation, which can be sung over the canon.
"To the bath and the table, to the prayers and the word,
come, every seeking soul."
Mark has given faith communities permission to sing and share the song without restrictions. Copyright for Sylvia Dunstan's hymn text is held by GIA Publications, Inc. so you'll need a OneLicense membership to print the text should you use it.
Sheet music can be found in Music By Heart, MMC's first collection of paperless music.
Here's a video of Emily Scott teaching the song at a Music that Makes Community workshop in Atlanta, GA.
This Eucharistic response by psalmist and singer-songwriter Richard Bruxvoort Colligan invites the community to partake in the bread and wine. It's a straightforward melody that can be taught phrase by phrase through call and echo patterns.
"The gifts of God for the people of God,
Come now for all is prepared.
The gifts of God for the people of God,
The Gospel is among us.
Richard's music is licensed via CCLI, OneLicense.net and Worldmaking.net. Be sure report use of the piece if you plan to print the text or music for your community.
You can hear a recording of The Gifts of God on Richard's website.
Here is a video of the song.