Dear Friends,

We sent a letter to our supporters today to share exciting news for Music that Makes Community. We are thrilled to report that Paul Vasile will be stepping in as Executive Director of MMC at the end of July. This news comes of course with a goodbye--we are sad to wish Rachel Kroh farewell. She has served us faithfully as Executive Director over the past year and a half and is leaving now to pursue her work as an artist and printmaker.

We extend our grateful thanks to Rachel for her hard and detailed work over these past years—she has shepherded us through the gaining our own 501c3 status, developed new ways of working with sponsoring organizations to make our work self-sustaining, developed our Board of Trustees, and provided us with a unique vibrant visual identity that reflects the beauty of our community.

Rachel has this note to share:

Friends, hearing you offer your voices so generously and bravely taught me that I have a voice too, and gave me a way into making music that I will always be grateful for. I've loved the challenge of turning a vibrant but loosely organized network of brilliant musicians and thinkers into an organization with structure, systems and processes. I will miss working with you but I am excited about all the ways MMC is going to flourish under Paul's capable leadership. –Rachel Kroh

In the past Paul Vasile has been a vital part of developing and honing our MMC worship and leadership practices. Perhaps most importantly, though, he has a great deal of experience in programmatic and organizational development, as well as fundraising, something we are going to need a lot of! We are thrilled to have Paul take us into the next phase of our life; we believe he is exactly the right person at the right time.

Times of transition are never financially easy. As we say goodbye to Rachel, and hello in a new way to Paul, might you join us in making a financial contribution to sustain the organization?

We look forward to all that is to come as we take this next step in our work together.

With love and gratitude,

Donald Schell

Chair of the Music that Makes Community Board of Trustees

P.s. Act today to help us in this exciting time of transition. Please give now!


The MMC Board of Trustees at our gathering in April: Scott Weidler, Rachel Kroh, Nancy McLaren, Donald Schell, Jake Slichter, Cricket Cooper and Paul Vasile

Hilary Seraph Donaldson is a congregational song enlivener with a passion for strengthening community through shared song, global music, and paperless worship. Her free web video series on song leading, Break into Song, is available on her YouTube channel and through her website, Transforming Every Guest. She currently serves as Pastoral Musician of Eastminster United Church in Toronto, Canada, and is pursuing doctoral studies in Musicology at the University of Toronto.


“Sing to the Lord a new song; sing to the Lord, all the earth.”

The joyful opening phrase of Psalm 96 invites us to renew our worship and praise God with a new song. It’s one of my favourite passages of scripture. But, I wonder if the Psalmist ever had to get up and teach a new song to a skeptical congregation?

As anyone who has tried to actually teach a new song to a group of people knows, new songs don’t always get the enthusiastic reception we are hoping for. As song leaders, we always want the gathered people to share our love and enthusiasm for whatever song we are teaching, but let’s face it: we are creatures of habit. We like singing songs we already know.

At MMC gatherings, we always learn many wonderful new songs, but this can leave us asking: how do we bring new music home? Here’s one piece of advice that I have found helpful:

Start with a song that will make its own friends.

The Rev. Nancy Boldt McLaren is Minister for Faith Formation and Discipleship at Storrs Congregational Church in Storrs, CT. 



I am in the West Bank of Palestine for my sixth time, making observations and music with a group called Musicians without Borders that has a lot in common with MMC whose mission is to connect people through music.   Working with musicians and music schools in war-torn areas all over the world, Musicians without Borders aims to use music to “bridge divides, connect communities, and to heal the wounds of war.” By teaching the natural musicians of these war torn areas community music-making techniques very similar to what we teach at MMC events, the trainees are then able to teach, facilitate and empower others in their own particular context.  The embodiment of this group in Palestine takes a few forms, but the one I get to hang out with is the music school, Sounds of Palestine.  

As luck would have it, I learn, on my first day in Bethlehem, that Sounds of Palestine is newly in need a choir teacher for their elementary-aged students. Just days earlier the program lay dormant and homeless, following a nasty power struggle from within.  One of the gnarliest dimensions of the decades-long military occupation is how the fabric of Palestinian society is threatened from within.  As resources are stolen and limited monetary reparations made, the economy fails and daily life regularly grinds to a halt due to violence and excessive bureaucratic checkpoints. Palestinians are often left at odds with each other. As soon as I agree to teach the newly formed Sounds of Palestine contingent who have come through the struggle, I sense a creeping awareness of my inadequacy in light of this so recent and so seismic reformation of the organization.  And yet, as thugs threaten, corrupt police are summoned and bombs explode, the music of a pride of children rumbles, squeaks, and honks.  Armed with their commitment to simply show up, to be present and to lift up their voices, the children, teachers, and supporters find a way where there is no way.  The way leads them to an abandoned building with the most beautiful garden I’ve ever laid eyes on: the new Sounds of Palestine, in the Garden.

Did I mention I don’t speak Arabic? And the kids I am working with, all children who make their homes in refugee camps, no english?  

Ana Hernandez is a composer, workshop facilitator, song leader, and co-founder of the Dallas/Fort Worth Threshold choir. She's been a presenter with MMC since 2010, and has composed many beautiful songs over the years that are beloved by the MMC network.


Ana lead Don't Be Afraid at our MMC Presenters' Retreat in September of 2015 at Holy Cross Monastery in Westpark, NY.

“Sought through prayer and meditation to improve our conscious contact with God as we understood God, praying only for knowledge of God’s will for us and the power to carry that out.”
- The Eleventh Step of Alcoholics Anonymous

They met EVERY Sunday in a beautiful, candlelit room for an hour. Some went out together afterward, some went home, some stayed and chatted over coffee or tea. The gathering was called LifeLine, and it was neither a church service nor a 12-step meeting. Our only purpose was to work the 11th step together, so that we could walk each other through the ways of prayer and meditation, into conscious contact with God. I sang with them two or three times a month for three years, and they were the most intentional spiritual community of which I was a part. 

Marilyn Haskel is a composer, choir director, organist and liturgist who has been a Presenter at Music that Makes Community events since the project's beginning.

See the listing for Cantemus Pacem Mundi in our MMC Songs Database.

"Cantemus pacem mundi. We sing for the peace of the world."

Composer Doug von Koss wrote this when teaching in Italy as Italians were marching to protest the United States invasion of Iraq. He wanted a strong musical statement that would “lift the desire for peace to a more assertive and active place.” He borrowed a melody he had heard in Canada and used this Latin phrase as the text.

Singing beyond the page allows us to connect musically and spiritually with each other because we listen more intently: adjusting volume, tuning pitches to our neighbors’ harmonies, fitting different rhythms together simultaneously.  In a reverberant space the sound moves in a lively way throughout the room. Less effort is required individually to sing in such a room, but the ability to sing as an ensemble may be challenged.

Jacob Slichter is an MMC presenter, writer and drummer based in Brooklyn, NY. He has been a Board of Trustees member since 2014.

Gathering a group with a paperless song is a powerful way to set the tone for connection, openness and learning in worship. Here are three of the reasons we think so, and some tips on how to start strong.

Here's a video of Marilyn Haskel leading Peace, Perfect Peace by Robinson McLellan. Its not the best quality but it is a good example since the place where Marilyn's leading, St. Paul's Chapel, is a busy space where getting the group's attention can be a challenge.

1. Gathering with a song declares, “Here WE are.”
The act of singing together creates one giant we that includes regulars and newcomers, those in grief, those amid great joy . . . everyone.   A paperless gathering song can further reinforce that declaration by lifting everyone’s attention from a page to the other faces and voices in the room.

Tips for success:

Teach the whole song, even if some know it already. When leading a gathering song, teach the song, even one familiar to the entire group, as if no one knows it.  Why?  Because even if everyone in the room has sung the song before, and no newcomers are present, your teaching leads the group away from insider behavior and models hospitality.  Thus, your leadership prepares the group to welcome and include everyone who walks through the door.

Don’t force the mood. Consider that you are leading a song, not imposing a particular mood on the group.  Get people to sing together, while allowing them to occupy their varied emotional spaces.  For example, consider the difference between leading with a relaxed smile that says, “Be who you are,” and with a forced smile that says, “Get with the program.  We’re here to be happy!” Allowing people some space will bring forth more authentic and powerful singing.

MMC Presenter AnnaMarie Hoos is Congregational Communications and Program Manager at Grace Cathedral in San Francisco and a member of St. Gregory of Nyssa Episcopal Church. She has been involved in the MMC project since the very beginning.



AnnaMarie led Night Has Fallen at our MMC event at the Bishop's Ranch in California in January, 2016. See the listing for Night Has Fallen in our Resources database here. 

I spent a year living in community on Iona, an island off the west coast of Scotland. That far north, in the winter, the dark comes early and the sunrise late. Also the island, even now, has few lights at night; you can see the light of every home and the headlights of cars cresting the arch of the hill two miles away as they come into the town of Fionnphort, across the sound on the nearby Isle of Mull. Once the power on the island went out in a storm, and we waited a couple of days for someone to come from the mainland to restore it. Night is something to take seriously there.

Rev. Donald Schell is a Founder of Music that Makes Community and Member of the MMC Board of Trustees. He is also a Co-Founder of St. Gregory of Nyssa Episcopal Church in San Francisco.



Rita Pihra-Majurinen taught us the beautiful song Holy, Holiness by Peter and Ellen Allard at our NYC Practice Group Gathering February 20, 2016 in Brooklyn, NY.

As a young pastor in Idaho, over a week of visiting a parishioner who was dying of cancer, I saw him go from conversations to dimmed consciousness to comatose silence and finally stillness except for his slow breathing. When his family was there, I’d talk with them. When he was alone, I’d speak a prayer for him aloud, remembering that hearing persists even in coma.  

For his working life, Joe had traveled the intermountain west as a cattle-broker. And when I first met him, he told me a story from his teenaged years when he’d worked summers as a sheepherder in Utah. Early one summer, alone in high meadow, he’d planned to sleep out, but near sunset, a sudden storm blew in, rain turned to sleet and then it began to snow. There was little cover and no way he could get down from the mountain. He was soaked and ill-prepared for the cold. Not expecting to make it through the night, he gathered the sheep round him, and lay down among them, reciting the 23rd psalm, “though I walk through the valley of the shadow of death,” and closed his eyes and slept. First light of morning penetrated the thin layer of snow that covered him and his wooly protectors. He told me that story to explain to his new pastor why he wanted the “23rd Psalm, King James Version” at his funeral.  

Scott Weidler is Program Director for Worship and Music at the Evangelical Lutheran Church in America in Chicago, IL. He is a Music that Makes Community Presenter and has been Board of Trustees Member since 2014.


Find the song listing for Come, Come Whoever You Are in our MMC Songs Database here.

She was an older, Swedish woman who had clearly been a faithful Lutheran her whole life. She knew that Luther’s Small Catechism included the question – What does this mean? – over and over again, each time succinctly providing the “approved” answer.

When I introduced the Rumi text, “Come, come whoever you are,” one Lent, she habitually asked, “But Scott, what does this mean?” Luckily, she’s wise, open-minded and inquisitive. We had a delightful conversation, wandering phrase by phrase through Rumi’s poignant text, discovering that it just might mean different things to different people. It might mean different things to me on different days. The answers to deep questions aren’t always as easy as expected or desired.

Come, come whoever you are:

Really? Whoever I am? You don’t know how messed up I am. Really?

worshiper, wanderer, lover of leaving.

Not enough. Often (even though I hide it well). What might I need to leave behind?

Ours is not a caravan of despair.

Which caravan? My life? Our country? The church?

Good reminder because feelings of despair are sadly familiar.

Though you have broken your vows

What vows? Even the ones I made to myself that no one knows about?

a thousand times, come, come again all.

Jesus said to forgive seventy times seven times; Rumi says a thousand times, but God doesn’t count. Forgiveness – the call to reconciliation – is eternal.

For too many, Lent is perceived not only as a time of confession and repentance, but of deep sadness and gloom. Music is reserved, maybe even maudlin. Guilt is often internalized during this seemingly eternal season. But there is a more wholesome (which is very old) way of understanding Lent.