Jesus Christ is the light of the world (echo)
The light no darkness can overcome (echo)
Stay with us Lord for it is evening (echo)
And the day is almost over (echo)
Let your light scatter the darkness (echo)
And shine on your people here (echo)
Song form: echo
Composer Name: Benjamin Leese
Lyricist Name: ancient text
Year Composed: 2008
Place of Origin: York Springs, Pennsylvania
Biblical Reference: John 8:12
Copyright Holder Name: Benjamin Leese
Terms of Use: share and share alike
Here's a video of Jesus Chris is the Light of the World:
Paul Vasile is an interim/transitional church musician, consultant and composer based in NYC.
This canonic setting of Psalm 85:10 was written by Albuquerque-based composer David Poole. Many of his pieces have been created in collaboration with John Philip Newell, the well-known author and teacher on Celtic spirituality.
This setting could be used in various contexts: as a psalm refrain, as a sung Passing of the Peace, or in liturgies focused on peace and justice.
"Love and faithfulness shall meet;
righteousness and peace will kiss."
Sheet music is available for purchase from David's website.
Here's a video of Conie Borchardt leading the song at our Music that Makes Community Presenter's Retreat at Holy Cross Monastery:
Come, My Beloved was written by Carol Logen and shared with the MMC community by Chanda Rule.
"Come, my beloved,
make your home in my heart."
The video features Chanda Rule leading the song at a Music that Makes Community workshop in Baltimore, Maryland in November 2015.
We Are Coming, Lord, to the Table is joyous communion song from Sierra Leone transcribed by Greg Scheer, a composer, author, and speaker with roots in the Reformed Church. It was carried to MMC by Paul Vasile, who learned it at a Calvin Institute of Worship symposium at the Chandler School of Theology in Atlanta, GA.
Because each section of the song repeats, it's easiest to teach the community through call and echo. In the second section, the word changes from "bread" to "wine" on the repeat, so it can be helpful to call it out a few beats ahead. Once learned, harmony can be invited. Drums and other rhythm instruments can also be added, but be sure they support the group's learning.
"We are coming, Lord to the table.
(We are coming, Lord to the table)
With the gift of bread we are coming, Lord.
(With the gift of wine we are coming, Lord.)
Oh, we are coming, Lord.
(Oh, we are coming, Lord.)
We are coming, Lord to the table.
(We are coming, Lord to the table)
To receive the bread, we are coming, Lord.
To receive the wine, we are coming, Lord.
Oh, we are coming, Lord.
(Oh, we are coming, Lord.)"
Copyright for the song is held by Greg Scheer. A CCLI license is required to print or project the music or lyrics.
Find sheet music in the collection Global Songs for Worship published by the Calvin Institute of Christian Worship and Faith Alive Christian Resources.
Here's a short audio recording as well as a video of a group singing the piece with keyboard, drumming, and shakers.
Sylvia Miller-Mutia created Come to the Feast at a Music that Makes Community gathering in January 2015. While created as a song for people to sing in procession to the table for communion, it is easily adapted to serve as an invitation or transition into any part of the liturgy.
"Come to the feast!
Come, one and all. Come to the feast."
Alternative texts:
Come, hear the Word...
Come, pray with us...
Go now in peace...
Here's a video of Sylvia leading her song at The Bishop's Ranch in Healdsburg, CA:
This song was composed by Amy McCreath, who now serves as the Dean of the Cathedral Church of St. Paul in Boston, MA. It has become a sort of Music that Makes Community anthem because of its simple but powerful lyrics and easily taught (and harmonized) melody.
Based on a the final line of the poem The Wild Geese by Wendell Berry, it can be shared in a variety of contexts, within and outside faith communities.
"What we need is here."
The Rev. McCreath has given faith communities permission to sing and share the song without restrictions. She simply asks you properly acknowledge the author of the tune and text.
Sheet music can be found in Singing In Community, our latest songbook published by Augsburg Fortress.
Here's a video of Paul Vasile leading What We Need Is Here at a Music That Makes Community workshop at the Yale Institute of Sacred Music.
Rachel Kroh composed this song at a Music that Makes Community workshop in 2012. The text is from Burnt Norton in T. S. Eliot's The Four Quartets.
"In my end is my beginning, in my beginning is my end."
Here's a video of Rachel leading the song at The Bishop's Ranch:
Ana Hernández has written two contrasting settings of If In Your Heart, a short text by 17th century mystic and poet Angelus Silesius. The first is a rhythmic setting that creates a sense of joyous anticipation. It is wonderfully suited to the Advent and Christmas seasons and could be effective as a gathering or processional song, for candle lighting, or as a Gospel acclamation.
Ana suggests a syncopated clapping rhythm that suggests a heartbeat, adding another dimension to our singing of the text.
"If in your heart you make a manger for his birth,
then God will once again become a child on earth."
Teaching note: Teach the melody until secure, repeating phrases and breaking them down as necessary. Try assigning the handclap pattern to a small group (or even a percussion instrument), but encourage them to stay soft until the group’s confidence grows and it ‘locks in’ rhythmically.
Sheet music can be found in Music By Heart, MMC's first collection of paperless songs.
Here's a video of Marilyn Haskel teaching this setting:
This is a song written by James Clemens with lyrics by the poet David Wright. It is available in written form in A Field of Voices.